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	<title> &#187; typography</title>
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		<title>Caractère frappé (typographie interactive) (2004)</title>
		<link>https://maxmollon.com/explorations/?p=53</link>
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		<pubDate>Sun, 05 Dec 2010 18:44:56 +0000</pubDate>
		<dc:creator><![CDATA[maxmollon]]></dc:creator>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[hardware]]></category>
		<category><![CDATA[intensity]]></category>
		<category><![CDATA[interactivity]]></category>
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		<category><![CDATA[sensitive]]></category>
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		<category><![CDATA[touch]]></category>
		<category><![CDATA[typography]]></category>

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		<description><![CDATA[Title: Caractère frappé (typographie interactive) (2004) By: Benjamin Gomez Link: http://perso.ensad.fr/ari/archives/2003_04/gomez/index.htm Image: no image found &#8211; ask to Benjamin or Vadim he&#8217;s associate Description: To translate into english Une personne se plaçant face au clavier, peut saisir du texte qui remplace la phrase existante. La manière dont il va saisir le texte déterminera la forme [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://images.cheezburger.com/completestore/2009/10/4/128991880096545637.jpg"><img alt="" src="http://images.cheezburger.com/completestore/2009/10/4/128991880096545637.jpg" title="state of the art" class="alignnone" width="492" height="442" /></a><br />
<strong>Title:</strong> Caractère frappé (typographie interactive) (2004)<br />
<strong>By:</strong> Benjamin Gomez<br />
<strong>Link:</strong> <a href="http://perso.ensad.fr/ari/archives/2003_04/gomez/index.htm">http://perso.ensad.fr/ari/archives/2003_04/gomez/index.htm</a><br />
<strong>Image: </strong> no image found &#8211; ask to Benjamin or Vadim he&#8217;s associate<br />
<span id="more-53"></span><br />
<strong>Description:</strong><br />
<a href="http://translate.google.com/translate?hl=fr&amp;sl=fr&amp;tl=en&amp;u=http://alternativecommunication.wordpress.com/2010/12/05/caractere-frappe-typographie-interactive-2004/">To translate into english	</a><br />
Une personne se plaçant face au clavier, peut saisir du texte qui remplace la phrase existante. La manière dont il va saisir le texte déterminera la forme de la typographie : comme dans la calligraphie ou l’écriture manuelle c’est le geste dans l’instant présent qui détermine la forme des mots. Le mouvement global de son corps par l’intermédiaire d’une caméra, déformera plus ou moins la typographie<br />
<strong>Concept:</strong><br />
Cette typographie n’a de forme que lorsqu’elle est utilisée, elle dépend de la manière dont le texte est saisi. Les paramètres de la saisie modifient le tracé vectoriel des lettres pour redessiner en permanence la typographie. Il s’agit d’investir la typographie de la présence du corps.</p>
<p><strong>Opinion: </strong><br />
The overall concept of this project is a bit more complex than what is described above. I extracted from it only what interests me that is, it&#8217;s typographic approach.<br />
Here typographic parameters are modulated by the way of using the keyboard, but what I see is that in an everyday use of that kind of tools, user&#8217;s mood – that influence his physical behavior – would naturally react with the message he writes and characterize it visually. It means that typography – which already graphically translate a chosen intention in a message – could be auto-generated by the natural, usual use of the keyboard. Typography would become – a bit more than it already is – a non verbal complement of information to the message possibly associable to the mood, emotion or at least intention of the writer.</p>
<p><a href="http://www.davidairey.com/images/design/letterform.gif"><img alt="" src="http://www.davidairey.com/images/design/letterform.gif" title="typo-anatomy" class="alignnone" width="916" height="563" /></a></p>
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